Monday, November 23, 2009
What I'm listening to: Title and Registration (Death Cab for Cutie) I tried to write a poem today, but I ended up with half a sheet of scribbled-out purple characters. Gotta love writers' block. I think it's even transferred to my blog today (good thing it doesn't show how many things I've just tried to say). Oh well. Writers' block, just like everything else, comes and goes. Absolute (the book I'm trying to get published) sits on a dusty cyber shelf, waiting for the friendly comments of my editors. An unfinished English essay hangs on the thread of my imagination and yet another History project looms in the near future. Such is life--for me, anyway. But now I'm only stalling. Here's the second installment of After the Crash: The Curtain "You crushed your clavicle," says the doctor. His voice is grave. I ask him what that is. "Don't you feel it? Your collarbone." "Well, now that you mention it..." My voice trails off. I stare at the pink-and-white patterns on the ceiling. I notice my eyelashes are wet from fallen snow. The doctor tells me he can fix me. It will be easy. Just a quick surgery and then a cast. But I don't want to be fixed. I'm like an old painting, or a manuscript maybe. What was written was written and there's no going back. Of course, I know there's something wrong with me. But it isn't my clavicle or ragged arms. To admit it would be to acknowledge it. And then would come the fixing. Nothing's wrong wit me. "Can't I go home?" I ask. The doctor peers at me from under his owlish spectacles, and I decide to drop it. Tomorrow's Saturday, I suddenly recall. Sadness fills me like a dessert that leaves a funny taste on your tongue. I will spend the day in the emergency room. Or maybe the operating one. Flecks of white spatter the baby blue walls and it immediately reminds me of snow. I shudder. The wheels of of the hospital bed squeak methodically as the nurse pushes me along like the child I've grown up to be. She shows me to my curtained-off, ten-square feet of privacy and gives me a smile. I wonder how much she was paid to do that. Not enough, considering my condition. "What are you in for?" I ask the unisex curtain next to me. "Broken leg," it mutters back. "Clavicle," I say. The curtain tells me its sister once broke her clavicle. And that, by the way, his name is David. I cringe. Names. Names open people up. Names remind me of what I've tried so hard to forget. I hate names.